红楼梦参考文献全部

参考文献[1]张晓琦红楼迷话[M],2000年[2]翟胜健红楼梦人物姓名之谜[M],2003年[3]张毕来红楼佛影[M],1979年[4]王昆仑红楼梦人物论[M],1983年[5]汤书昆红楼中第三块闪光的玉石——妙玉散论[J],1985年[6]张锦池红楼梦考论[M],1998年[7]李哲良红楼禅语[M],1999年[8]子旭解读红楼梦[M],1999年[9]裔锦声红楼梦：爱的寓言[M],2000年[10]吕启祥红楼梦寻味录[M],2001年[11]郭一峰红楼梦人物的神经症倾向[M],2002年[12]宋鸿文论妙玉的悲剧[J],1985年[13]任少东妙玉性格与命运结局初探[M],1996年[14]静轩红楼梦人物画传[M],2007年[15]何永康红楼梦研究[M],2003年[16]周汝昌红楼梦的艺术魅力[M],2006年[17]曾诚红楼梦悟[M],2001年[18]张庆善红楼梦中人[M],2008年[19]蔡义江红楼梦诗词品鉴[M],2008年[20]袁行霈中国文学史[M],2005年我写的是妙语 写晴雯 能用得上

成书于1784年（清乾隆帝四十九年）曹雪芹主要成就：中国大百科全书》评价说，《红楼梦》的价值怎么估计都不为过。《大英百科》评价说，《红楼梦》的价值等于一整个的欧洲。在国内文学界，《红楼梦》也一直被公认为中国古典小说不可逾越的巅峰。《红楼梦》是一部大书。有评论家这样说，几千年中国文学史，假如我们只有一部《红楼梦》，它的光辉也足以照亮古今中外。《红楼梦》并不只是一部言情小说，他更是一部对君主专制社会末期四大家族的兴衰史的概述，这已经逾越了言情小说的范围。它之所以伟大，是因为它起于言情而终于言情，但不止于言情，这样才能衬出情的深度与厚度。《红楼梦》之所以伟大，首先是在结构的伟大上。在如此精妙的布局和秩序下，这等空间、这群人物中，看似庞杂的故事在作者的笔下事无巨细，分明清晰地娓娓道来。_1_1#8_1 希望你可以满意

可以去搜搜红楼丫鬟 从这一方面着手

A Dream of Red Mansions,sometimes translated as The Dream of the Red Chamber, the great classical Chinese novel written in the mid-eighteenth century during the reign of Emperor Chien-lung of the Ching Dynasty, has been widely popular throughout the last two hundred years and The four great houses of Chia, Shih, Wang and Hsueh described in this novel were typical basic political units of feudal Such families were linked with the court above and the local officials below to form a network of control with the feudal autocratic state power as its The book depicts the inevitable doom of these families, riven as they are by fierce struggles among themselves and in society, focusing on the tragic love between Jia Baoyu and Lin Daiyu and also provides a panorama of the lives of people of various levels in the degenerating It is the only one novel so brilliantly integrated with these that readers are fascinated and moved by With superb artistry the author presents a panoramic genre-painting, a whole gallery of highly individual yet typical Through detailed descriptions of their daily life he succeeds in depicting their different idiosyncrasies, thoughts and In the use of dialogue too he shows outstanding skill, putting such distinctive speech into each character's mouth that the reader feels as if he can see and hear the The Ching Dynasty (1644-1911) was the last feudal dynasty in C The Chien-lung era (1736-95) was the turning point towards the decline of the Ching D Crisis-riven feudalism was already on its last The whole fabric of Chinese feudal society was tottering on the verge of final This was the period in which Tsao Hsueh-chin the author of A Dream of Red Mansions Tsao Hsueh-chin died in the twenty-eighth year of Chien-lung (1763)The novel is a great realistic work among early Chinese novels, a superb achievement in both ideological and artistic Lu Xun, the great 20th century Chinese writer, has this comment on the novel: "The appearance of A Dream of Red Mansions shatters all traditional ideas and techniques of "