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戴小卓269500767

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Western novels in comparison First, Western novels in the history of the development of Western novels are based on myths and legends of its In ancient times, science developed, out of fear of nature, the working people out of the imagination is the key to many of the world "God", describing the personification of God is a myth; who will describe the deified, that is China opened the world's Pan story, the story of San Juan Five Emperors, the West Greek mythology, Roman mythology, Norse mythology, and so on are all typical East and West, the original novel, is closely linked with the history, as historical records complement the China Pre-Qin prose in the fable, the Han dynasty in the history books, biographies, the Wei and Jin Zhi, Zhi-person novel; the West of ancient Babylon, "the United States and Ji Jia disabilities epic", in ancient Greece, "Homer's epic," "Aesop's Fables "And so on, fall into this category, fiction, novels such novels have been about the characteristics of fiction, it is still not the literary creation, directly from the private collection record, so this type of fiction plot is relatively simple, writing rough Ban Gu said, "On the Street Lane words, hearsay are made of" is a novel kind of accurate assessment of the China's Tang Dynasty, the novel is only from history and literature become a Tang Dynasty culture has developed, the author's ideas are more open, the legend came into being at this time, Li Zhaowei "Liu Yi Chuan", Po Chu's "Everlasting Regret," Wolf's "Everlasting Regret Chuan" And so on, are made in accordance with the creation of the For the fictional story of the Tang Dynasty more emphasis on imagination and literary talent, not just the history of the nature of things, but as the history of Zhi Zhi who is also the novel did not The Legend of the Song Dynasty to the novel on a gradual decline, which followed the rise of this so that after processing will become a scholar so many novel and Romance novels such as "Romance of the Three Kingdoms", "Outlaws of the Marsh", "Journey to the W" The author of such novels is the use of private creative and re-created to describe the circumstances of the touching scenes of brilliant and vivid active in shaping the character known, there are obvious story-telling style of Here by the redevelopment, it will become an independent literary creation rather than things to come together with the civil process, the representative of this type is the "Golden Lotus", it was an open and ordinary life on the road, the reality is that literature has come a long way The development of the latter's "A Dream of Red Mansions" in ancient China Geng Shiba realism to the novels of the "54" after the novelist began to learn from China's western fiction writing practices, and gradually out a new Western novels, is the "Renaissance" after the rapid development of The development of the Middle Ages novel near-stagnation in the West, 14, the end of the century "Renaissance" to overthrow the literature of the Church of control, 15, appeared in the western end of the century to promote freedom of thought and the liberation of personality in order to describe the reality of life and portray characters from all walks of life for the content of the Humanist novels, is to tie in with this type of novel anti-feudal Europe at the time of arising at the same time it also set the novel in the West to human describing the tone of the main Jiaqiu Italy's "Decameron", Spain's Cervantes "Don Quixote" is the kind of representative works of The resulting novel is a classical, elegant favor of its national language to standardize the writing of this novel in 17th century France's most well- As a note on behalf of Corneille's "Cid" neoclassical story of the rise of Western novels have been a language substantially The beginning of the 18th century to promote popular science knowledge, enlightenment of the public consciousness for the purpose of the Enlightenment novels, of which there are relatively well-known German Goethe's "Faust", the United Kingdom Defoe's "Robinson Crusoe" and the Swift "Gulliver's Travels" and so on, this type of novel to the emergence of the bourgeois revolution at the time to mold public In the 19th century, romantic fiction, realistic novels and critical realism novel turn to occupy the leading position in the field of Romantic novels, such as France Victor Hugo's "Notre Dame de Paris", Goethe's "juvenile Witt of trouble" and so on, imaginative, unusual ideas, language and imaginative, strong Efforts to reflect the reality of the novel is the essence of life, and depict typical life of a typical phenomenon in the United Kingdom Dickens, France and Germany are of such novels as a representative of the Critical realism novels exposed the efforts of the decadent feudal system and capitalist society, the dark, in-depth criticism of the reality of evil, France Balzac and Maupassant, the United Kingdom of Charlotte, Bronte, Russia's Tolstoy, Dostoevsky, the United States of a large number of writers such as Mark Twain's works belong to this Value today, the three novels in the West is still the most important of the three types of literary East-West novel on the history of the development of more or less the Second, the characteristics of the novel in the West In addition to the basic characteristics of the novel, the story of the West also have their own characteristics are as follows: 1, the traditional Chinese novel attention to the characters, language and the details of the description, in contradiction to the conflict to display the images, but the character of a single, small changes in the absence of the main Western novels are more people pay attention to the psychological description, stressed that mining figure in the subconscious mind, good at writing full, the changes in the strong sense of the main Again, "coach Lin Feng Snow Mountain Temple" in the figure is only through dialogue and action leads to contradictions and conflicts, but Anna Karenina Wogui before a series of conflicts only with his description of the psychological will be able to express their clear; for poetry in Lin In the performance of her literary talent, and Paul with his inner monologue of the ideal; Zhang Zhong-Yong has only the character, but Jane Eyre's character is the brave, strong, warm, kind-hearted, and so many of the character and rubbing and Cheng' In short, people in the area described in the West has its own unique 2, China compared with Western fiction novel plot twists and turns more and more complete Plot twists and turns, the story is complete fiction China's unique traditional The Wei and Jin Zhi Zhi people on the novel twists and turns with vivid Tang legend in the layout of many of the famous, magnificent anomaly, rigorous and clever, dramatic plot The contents of the Ming and Qing Dynasties novels scattered irregular, undulating waves, Cuoluoyouzhi, careful structure, an integral "A Dream of Red Mansions", everywhere She Fu, Hui turning point, the story of Jia's best Western plot in respect of the outstanding works, although there are many, but it can not be compared with the Chinese 3, concise and lively Chinese language novel, rich in content and rich Western Chinese folk artists absorbed the novel language, at the same time inherited the fine traditions of ancient prose, often a few words will be able to outline the incident or the Western novels in the author includes a broad range of knowledge, involve the community in many ways, so rich in content and rich people can gain knowledge in many Engels said he was in Balzac's novel about 19th century France's domestic situation than he received any reports are Western novels have different characteristics, and also in the West different aesthetic concepts to a certain extent 4, Western novels have been the rule of the feudal culture of oppression Chinese feudal culture makes the development of the novel is extremely difficult, Ming and Qing Dynasties more people to write stories for shame, so many great writers living, creating the conditions are not covered, many of the great works of authors who do not Western novels in the feudal culture makes almost the whole of the Middle Ages in the development of extremely slow, and many talented writers were forced to church services, wrote some of the religious nature of the article dry Third, Western novels in the future prospects for the development of End of the Qing Dynasty, China and the West have begun to understand the other side of the system, the advantages of the novel in the West have been constantly learn from each Of course, due to historical reasons, the Chinese side of the draw a little To this day, the novelist in the West efforts are still two researchers in the novel's artistic charm, although the different languages of each other's appreciation of the arts to a certain extent, but the United States are We have every reason to believe that in the near future, the novel art in the West will ultimately learn from each other and integrate, develop and reach new artistic References: "Foreign Literature" Shanghai Translation Publishing House Zhou Xu Liang "Contemporary Literature election," Zhang Zhong, such as Beijing University Publishing House "Chinese literature history of the development of" Shanghai Ancient Books Publishing House Liu Jie "Literary History of Europe" People's Literature Publishing House Yangzhou Han Wu Da-yuan Zhao Rui radish "Three high school language textbook used by the five dates of the" People's Education Press仅供参考,请自借鉴。希望对您有帮助。
206 评论

贪嘴森淼

给你个建议,看你的题目就觉得题有点大了,比较有特色点论文可以根据一个具体案例分析它所运用的非价格竞争策略。步骤是 摘要、关键字、正文、参考文献提纲 就是 正文简要概述非价格竞争策略指哪些?这些的运用?如果你这么写,就找2、3本专业书抄下,找些相应的例子就行了(我不建议这样,完全没有自己的东西,如果你要这样写建议在写运用上不要照搬书上,可以多有自己的心意,比如差异化策略,解释下苹果的外观非差异化怎么成功的?服装该是差异化很大产品,可服装为何遵循它的时尚、经典、基本元素?)

134 评论

penny900627

服饰文化是一种整体文化。它是指服装、饰物、穿着方式、装扮,包括发型、化妆在内的多种因素的有机整体。服饰文化是一个民族、一个国家文化素质的物化,是内在精神的外观,是社会风貌的显示。由于历史条件、生活方式、心理素质和 文化观念的差别,中西方的服饰文化有着较大的差别。  中国传统服饰文化观念的特色  1、善于表达形与色的含蓄  朦朦胧胧,藏而不露,隐含寓意,给人以审美的感受。这种含蓄,有时通过款式展现, 有时也可通过造型、布局、色彩、线条等手段给人以整体和谐之美。  2、注重精细的艺术手法和工艺表现  大量采用刺绣、飘带、图案和其它装饰手法,表达丰富的想象,以浪漫主义情调达到现实主义的效果。  3、注重气派稳重的氛围效果  服装的整体配合给人以秩序和谐美感,严肃庄重,美观高雅,能起到烘托月之效,服饰文化与环境相配合,更具鲜明的时代感。  4、注重服饰文化的民族性  服饰文化是一个民族个性的重要标志之一。服饰作为一种民俗现象,具有鲜明的民族性。不同民族长期交往,服饰文化互相影响和渗透,甚至有意借鉴和模仿。但是中华民族有自己的审美趣味,伦理道德,因而有自己的着装规范。  5、受中国传统文化的影响  A、 注重营造和平统一的气氛  孔子曰:“见人不可不饰,不饰无貌,无貌不敬,不敬无礼,无礼不立。”时过千年,在以孔孟之道为核心的大一统思想指导下,中国服饰也力求稳重、平静,有助于安宁、融洽和礼让之先的人际关系。  B、“文质彬彬”——儒家对服饰的审美观  文是指一个人服饰的美,质是指一个人资质的美。  C、“披褐怀玉”一一道家对服饰的审美观  “清水出芙蓉,天然去雕饰”,若不以论诗,而以论人,正可为道家对服饰的审美观。  西方服饰文化观念的特色  1、 崇尚人体美  从古希腊时代至今,西方艺术包括服饰在内,常把讴歌和显示人体自然美当作无上的典型。因 此服饰在西方人的身上成了“副件”:女性通过裸露或挂丝尽显其形体之美,男性则更赤裸地表现肌肤的健康和力量的强大。  2、 服装是为了吸引异性对自己的注意  西方服饰通过对人体曲线和对某些敏感部位作裸露处理,最大限度地发挥服饰吸引力,给人以不可言状的美感,以此产生心理效应,使人迅速进入纯粹的审美境界。  3、突 出表现个性  西方人着装重在表现自我,寻求对平衡的突破和片面性的掘进,自我设计、自我表现、自我创造而别具一格;通过着装充分表明自我的理想境界和各种观念,借以标明自我。  4、 追求感官刺激  西方服饰时刻使欣赏者能顿发性感,形成不寻常的感官剌激。设计大师通过精心设计,独特的色彩搭配组合和特殊的线条分割,充分体现性的心理、生理特征。因此在西方,性感明显的服饰比比皆是。

279 评论

树果衣嘎凌

从文化要素方面考虑中西文化的差异比较全面。即下文提及的知识、信仰、艺术、道德、法律、风俗、技能、社会关系、社会组织、价值观念、行为规范和模式、语言符号、人造物品、物品的式样等方面。 文化要素即文化所包含的各种基本成分。综合前述各种描述,知识、信仰、艺术、道德、法律、风俗、技能、社会关系、社会组织、价值观念、行为规范和模式、语言符号、人造物品、物品的式样等都是文化的要素,举不胜举。为了便于理解和把握,社会学家把文化要素分成以下几类。1.物质要素即文化的物质部分,包括人类创造出来的一切物质产品,其中尤以生产工具最为重要。人类创造文化,必须通过有形的制造品表现出来,如器皿、布衣、建筑物、水坝、公园等改造自然所使用的生产工具,反映了人的需要和技术发展水平,反映了人类改造自然的能力,因此它在各种物质要素中是起决定作用的要素。人们对时代的划分有时是以使用什么样的生产工具为标准的,如石器时代、青铜器时代、铁器时代、机器时代、电气时代等。人们也用使用工具的特性来表示不同的文化,如"青铜器文化"、"电气文化"等。可见工具及使用工具制造出来的物质产业是文化不可缺少的要素。2.精神要素即精神文化,包括哲学、科学、宗教、艺术以及各种思想观念,其中尤以价值观念最为重要。精神文化是文化不可或缺的部分。人们改造自然与社会,创造和享受文化的活动无不是在一定的思想观念指导和推动下进行的,所以观念形态的文化是文化要素中最有活力的部分,尤其是价值观念更是文化的精髓或灵魂,是核心要素。价值观念是人们判断是非、选择行为方向和目标的标准。人们追求什么,鄙弃什么,是由价值观念决定的。价值观是在社会共同生活中培养起来的,所以在一个群体或社会中,会形成大体一致的价值观,这就是群体或社会的价值。群体或社会的价值决定着这个群里或社会的特有生活式样。3.语言和象征符号要素人的交往只有借助语言和符号才能进行,一切知识的继承和传递也只有借助语言和符号才能实现。马林诺夫斯基认为,语言不仅是一个工具体系,而且是一套长期养成发音的习惯。人类学家们长期考察发现,世界上大约有2800种不同的语言,其中大部分语言没有共同的词汇。所以并不是任何不同的语言都可以互相翻译的。译文不可能跟原文完全响应。这说明语言是人们观察世界(甚至是改造世界)的工具。人们用语言在自己的头脑里建造了客观的世界,所以语言不同,对世界的反映也不同。例如对颜色和味道的表达,有的语言词汇很多,可以区分许多极细微的差别,而有的语言词汇很少,区分力很低。中国人常用酸、甜、苦、辣、涩来形容味道,难道世界上所有物质就只有这五种味道吗?中文里有"你"和"您"两个词来表示第二人称,英文中就只有一个"you",以致当中国人面对年长尊贵的美国客人说话时,很不好意思直呼"you"。其实英美人的语言中对年老位高的人表示尊敬,不是用一个词,而是用句型的不同来表达的。这就是中美之间文化的不同。符号是一种无声的语言,也是社会互动的过程中不可缺少的手段,甚至比语言还运用得更广泛。符号有身体的姿势、表情、动作、声音、图形、标志等。有的符号是表征的,如国徽、军旗,有的符号是指意的,如禁止通行的符号,前者含义丰富,后者意义明确。符号的不同也是文化特色的表现。4.规范体系有些人类学家把文化归结为人的行为规范和模式,足见行为规范和模式对于文化的重要性。人们行为办事要有规矩,不同的人办不同的事,要守不同的规矩。规矩就是社会规矩,是人们在社会互动过程中根据需要指定出来或衍生出来的,它是一定的价值观念的具体化,是支撑价值观念的。各种规范互相配合共同调节人们的各种社会行为,以维护社会秩序。世界各国规矩之多,差距之大,令人茫然。不懂规矩,手足无措,说明不懂规范性文化就办不成事。一个不懂宴会礼仪的人参加宴会会感到局促不安,不能顺利地交往;相反在一个普通的家庭聚会上使用正规宴会的礼仪,就令人觉得装腔作势、可笑。规范是一个群体和社会文化的外部表现,所以了解一个群体和社会的文化,首先是从认识规范开始,进而才能达到文化的核心--价值观念立夫经过多年的深思熟虑得出一个结论:中西文明之所以走向不同、发展不同、结果不同,根本是由于中西思维方式的不同使然。思维方式的不同,决定了人类观察世界、处理问题的角度和方法的不同,继而在建立思想理论、构造科学体系、创设技术系统、设定经济体制等方方面面也都不同,甚至人的脾气性格行为、价值观都有不同,最终必然导致文明的走向、发展、结果的统统不同。 举一个现今正在争论的中医为例,中医和西医正是中西两种思维方式演化出的不同学说体系。西医是科学的一种即医学,它完全是用西方的思维方式即形式逻辑构造起来并由实证方法证明的科学体系。中医确实不应该叫科学,中医处处所体现的是中国的思维方式,以及由此种方式格物致知最终才形成的医道。中医无愧于真理,而且它不但能治已病,还能治未病,它完全是由中国思维方式演化出的理论体系。因此中西医是建立在两种思维方式即两种对客观认知与评价体系之上的不同的理论体系。现实当中正是因为中西医的上述不同才使其各有所长、各有所短,所以也就有了今天中西医的结合即两者的相济为用。 西方的逻辑思维、实证方法演绎了西方灿烂辉煌的现代文明,这是世人所熟知并津津乐道的。但是,人们对中国传统的用以格物致知的思维方式却知之甚少,以至今日也无人把它界说认识清楚。这既是最大的悲哀,也是我们中国人面临的最具挑战的并亟待回答的大课题之一。 不能准确、全面、深刻地认识我们自己的中国传统的思维方式,就不可能真正知道这种思维方式的妙处、价值与局限,更不能正确评价和认识我们伟大的古代文明。我经常在问在想为什么春秋战国时期的中国,诸子百家精湛、丰富、深刻的学说,竟如雨后春笋一样地突然暴发?其实仔细想来一个极重要的条件即主观条件,就是中国传统的思维方式在面对并解决非常复杂深刻的客观问题时,已经变得非常地成熟了,可以说到了炉火纯青的地步。这其实恰是中华民族对人类贡献的一大精神硕果,正是这种思维方式影响了我们民族的方方面面,演化出了一切一切。当到了明末清初的时候,随着章回小说的精采纷呈,我们的古代文明的一切方面就全部发展到了极致。 比较中西两种思维方式,可知两者各执一端,各有短长,其不同恰是相反相成,故能相互比较、相互对照、相互启发,以至于相辅相成、相济为用,这是中国与西方各自对人类最伟大的贡献,因而是人类的两大瑰宝。立夫敢于大胆断言,这两种思维方式将共存共济、和而不同地发展下去,直到人类不再存在的那一天。 一百年来我们一直在学习西方,今天我们有了强大的物质基础,取得了初步的成就,面对复杂多变的现实,我们痛感还是少了什么,于是越来越多的人们开始对我们自己传统的思维方式与古代文明重新加以审视,由此我们有希望、有条件比西方人较早地把握这两大法宝,去迎接、去拼搏中华民族伟大复兴的世纪。 由此立夫写了《二十一世纪必将是中华民族的世纪而且是中华民族伟大复兴的世纪》和《中华民族传统的思维方式以及演化出的古代文化为什么必将发生最伟大的维新》,以期抛砖引玉,聆教大家。

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